He goes on to argue that the critical concepts that have secured White's fame trope, plot, discourse, figural realism all stem from his desire to explicate the moral claims and perceptions underlying historical writing
In an engaging and wide-ranging analysis, Herman Paul discusses White's core ideas and traces the development of these ideas from the mid-1950s to the present
Starting with White's medievalist research and youthful fascination for French existentialism, Paul shows how White became increasingly convinced that historical writing is a moral activity
This innovative introduction will appeal to students and scholars across the humanities, and help develop a critical understanding of an increasingly important thinker.
White emerges as a passionate thinker, a restless rebel against scientism, and a defender of existentialist humanist values